春丽与建业相恋多年，却因春丽爸嫌弃建业家境贫寒且出身单亲家庭，强行拆散二人。春丽赌气嫁给条件优越的刘二，婚后却饱受丈夫和婆婆的刁难。五年后，忍无可忍的春丽选择离婚，回到父亲身边。恰逢儿子小宝急需手术费，前夫刘二拒不负责，春丽无奈求助建业。此时已事业有成的建业毫不犹豫伸出援手，坦言多年来一直等待春丽。面对刘二的挑衅，建业坚定守护春丽，最终春丽放下顾虑，二人解开过往心结，重新走到一起，续写迟到的幸福。

春丽与建业相恋多年，却因春丽爸嫌弃建业家境贫寒且出身单亲家庭，强行拆散二人。春丽赌气嫁给条件优越的刘二，婚后却饱受丈夫和婆婆的刁难。五年后，忍无可忍的春丽选择离婚，回到父亲身边。恰逢儿子小宝急需手术费，前夫刘二拒不负责，春丽无奈求助建业。此时已事业有成的建业毫不犹豫伸出援手，坦言多年来一直等待春丽。面对刘二的挑衅，建业坚定守护春丽，最终春丽放下顾虑，二人解开过往心结，重新走到一起，续写迟到的幸福。

本剧是由优酷、顽皮猴子出品，互联网电影集团、莱可映相传媒联合出品，《梦想与现实》是国内首部以新风格形式——闪片拍摄的新媒体迷你剧。 　　第一季于2014.11.14上线，共8集，以时尚 ，前卫 ，恶搞，张扬个性的人物故事，来展示电影和现实生活的强烈对比。

本剧是由优酷、顽皮猴子出品，互联网电影集团、莱可映相传媒联合出品，《梦想与现实》是国内首部以新风格形式——闪片拍摄的新媒体迷你剧。 　　第一季于2014.11.14上线，共8集，以时尚 ，前卫 ，恶搞，张扬个性的人物故事，来展示电影和现实生活的强烈对比。

A well-dressed man pours a glass of Champagne for a young woman who is sitting with him at a dining table. She's costumed, wearing a mask and cape. He removes the mask and cape, revealing a smiling beauty. He takes her in his arms to kiss her; she cooperates. The dream ends, and reality intrudes in the form of an old couple in bed, he kissing her, she enthusiastically willing. He realizes he's back in reality. Is the kiss at an end?

A well-dressed man pours a glass of Champagne for a young woman who is sitting with him at a dining table. She's costumed, wearing a mask and cape. He removes the mask and cape, revealing a smiling beauty. He takes her in his arms to kiss her; she cooperates. The dream ends, and reality intrudes in the form of an old couple in bed, he kissing her, she enthusiastically willing. He realizes he's back in reality. Is the kiss at an end?

该剧以绵阳市涪城区新农村建设为背景，通过基层干部带领农民脱贫致富的故事，展现农村发展进程，剧中人物原型取材于当地干部群众。

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.